This article titled “The people’s painters: what makes a work of art popular?” was written by Jonathan Jones, for guardian.co.uk on Friday 19th August 2011 11.28 UTC
What makes a painting popular? As I write, the social media-style art site Artfinder lists the top five works collected by its users as follows:
1. Claude Monet, Impression: Sunrise
2. Vincent van Gogh, The Starry Night
3. Gustav Klimt, The Kiss
4. Gustave Caillebotte, The Parquet Planers
5. Katsushika Hokusai, The Great Wave
It’s interesting that popularity in this case depends on what people add to their online collection. I have always believed that artistic taste varies wildly between works we might find challenging and stimulating in a gallery, and those we’d love to own. Putting a work of art in your digital collection is not quite the same as buying the actual painting – but it means you want to have it around, at least on screen. Collecting a work of art, even virtually, means you can live with it.
So it is not surprising that the Artfinder top five may strike some as conservative. Or a little bit obvious. After all, the only surprising name here is Gustave Caillebotte, whose enigmatic, arguably homoerotic image of working men is a fascinating treasure of the Musée d’Orsay.
But popularity always is obvious. And it is healthy. On the whole, the world’s favourite works of art are the world’s best works of art. Monet deserves his number one slot. He is an artist you don’t find a lot of cooler-than-thou art theory books being written about – because he is popular. But there are few experiences in art as rapturous as losing yourself in a Monet. What is retardataire about the sensory and psychological journeys into which his paintings lure the beholder?
Van Gogh, the visionary, and Klimt, the hedonist, are two more artists whose popularity is heartening. It is a great posthumous gift to Van Gogh to be loved by so many when he was so lonely in life. And Klimt, however many snobs try to do him down, is a mystic priest of love.
Japanese art was loved by Van Gogh and his contemporaries, so Hokusai confirms that the mood here is early modernist.
Perhaps what it reveals is that the most popular art, that hits most people most deeply, is the art of the early modernist era from the 1860s to the 1900s, when new visions changed painting forever while still drawing on its long global history. It was a golden moment.
Image:© Bridgeman Art Library / Musee Marmottan, Paris, France / Giraudon
Thursday, December 21, 2017
AV2 ART - THOMAS KINKADE
Thomas Kinkade
Thomas Kinkade
Thomas Kinkade
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Born
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January 19, 1958
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Died
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April 6,
2012 (aged 54)
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Nationality
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Field
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Training
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Early years
Some of the people who mentored and taught him long
before college were Charles Bell and Glenn Wessels.[1] Wessels encouraged Kinkade to
go to the University of California at Berkeley. Kinkade's relationship with
Wessels is the subject of a semi-autobiographical film released in 2008, The Christmas Cottage. After two years of
general education at Berkeley, Kinkade transferred to the Art Center
College of Design in Pasadena.
In June 1980, Kinkade spent a summer traveling
across the United States with his college friend James Gurney. The two of them finished their
journey in New York and secured a contract with Guptill Publications to produce
a sketching handbook. Two years later they produced The Artist's Guide
to Sketching,[1] which was one of Guptill
Publications' best-sellers that year. The success of the book landed him and
Gurney at Ralph Bakshi Studios
creating background art for the 1983 animated feature film Fire and Ice.[1]While working on the film, Kinkade
began to explore the depiction of light and of imagined worlds. After the film,
Kinkade earned his living as a painter, selling his originals in galleries
throughout California.
Artistic themes and style
A key feature of Thomas Kinkade's paintings are
their glowing highlights and saturated pastel colors. Rendered in highly
idealistic American scene
painting values, his works often portray bucolic, idyllic
settings such as gardens, streams, stone cottages, lighthouses and Main Streets. His hometown of Placerville
(where his works are omnipresent) is the inspiration of many of his street and
snow scenes. He has also depicted various Christian themes including the Christian cross and churches.
The fine-art world overwhelmingly derided Kinkade's
work as little more than commercially successful kitsch.[8] Kinkade received criticism for
the extent to which he hadcommercialized his
art, for example, selling his prints on the QVC home
shopping network. Others have written that his paintings are merely kitsch,
without substance,[9] and have described them
as chocolate box art[10] and "mall art."[11] In a 2001 interview, Kinkade
proclaimed, "I am really the most controversial artist in the world."[12]
Kinkade said he was placing emphasis on the value
of simple pleasures and that his intent was to communicate inspirational,
life-affirming messages through his work. A self-described "devout
Christian" (even giving all 4 of his children the middle name
"Christian"[13]), Kinkade said he gained his
inspiration from his religious beliefs and that his work was intended to
contain a larger moral dimension. He has also said that his goal as an artist
was to touch people of all faiths, to bring peace and joy into their lives
through the images he creates. Many pictures contain specific chapter-and-verse
allusions to certain Bible passages.
Kinkade said, "I am often asked why there are
no people in my paintings,"[9] but in 2009 he painted a
portrait of the Indianapolis Speedway for
the cover of that year'sIndianapolis 500 race
program that included details of the diversity of the crowd, hiding among them
the figures of Norman Rockwell and Dale Earnhardt. He also painted the farewell
portrait for Yankee Stadium.[14][15] About the Indianapolis
Speedway painting, Kinkade said:
The passion I have is to capture memories, to evoke
the emotional connection we have to an experience. I came out here and stood up
on the bleachers and looked around, and I saw all the elements of the track. It
was empty at the time. But I saw the stadium, how the track laid out, the
horizon, the skyline of Indianapolis and the Pagoda. I saw it all in my
imagination. I began thinking, 'I want to get this energy — what I call
the excitement of the moment — into this painting.' As I began working on
it, I thought, 'Well you have this big piece of asphalt, the huge spectator
stands; I've got to do something to get some movement.' So I just started
throwing flags into it. It gives it kind of a patriotic excitement.[14]
Mike McGee, director of the CSUF Grand
Central Art Center at California
State University Fullerton, has written of the Thomas
Kinkade Heaven on Earth exhibition:[16]
Looking just at the paintings themselves it is
obvious that they are technically competent. Kinkade's genius, however, is in
his capacity to identify and fulfill the needs and desires of his target
audience—he cites his mother as a key influence and archetypal audience —
and to couple this with savvy marketing ... If Kinkade's art is
principally about ideas, and I think it is, it could be suggested that he is
a Conceptual artist.
All he would have to do to solidify this position would be to make an
announcement that the beliefs he has expounded are just Duchampian posturing to achieve his
successes. But this will never happen. Kinkade earnestly believes in his faith
in God and his personal agenda as an artist.
Artist and Guggenheim Fellow Jeffrey Vallance has spoken about
Kinkade's devout religious themes and their reception in the art world"[17]
This is another area that the contemporary art
world has a hard time with, that I find interesting. He expresses what he
believes and puts that in his art. That is not the trend in the high-art world
at the moment, the idea that you can express things spiritually and be taken
seriously ... It is always difficult to present serious religious ideas in
an art context. That is why I like Kinkade. It is a difficult thing to do.
Essayist Joan Didion is a representative critic of
Kinkade's style:[18]
A Kinkade painting was typically rendered in
slightly surreal pastels. It typically featured a cottage or a house of such
insistent coziness as to seem actually sinister, suggestive of a trap designed
to attract Hansel and Gretel. Every window was lit, to lurid effect, as if the
interior of the structure might be on fire.
Didion goes on to compare the "Kinkade
Glow" to the luminism of
19th-century painter Albert Bierstadt, who sentimentalized the
infamous Donner Pass in
his Donner Lake from the Summit.[19] Didion sees "unsettling
similarities" between the two painters, and worries that Kinkade's own
treatment of the Sierra Nevada
Mountains, The Mountains Declare His Glory, similarly
ignores the tragedy of the forced dispersal of Yosemite's Sierra Miwok
Indians during the Gold Rush,
by including an imaginary Miwok camp as what he calls "an affirmation that
man has his place, even in a setting touched by God's glory."[18]
Business
Kinkade's works are sold by mail order and in dedicated retail
outlets. Some of the prints also feature light effects that are painted onto
the print surface by hand by "skilled craftsmen," touches that add to
the illusion of light and the resemblance to an original work of art, and which
are then sold at higher prices. Licensing with Hallmark and other corporations
have made it possible for Kinkade's images to be used extensively on other
merchandise such as calendars, puzzles, greeting cards, and CDs.
By December 2009, his images also appeared on Wal-Mart gift cards.
He has also authored or been the subject of over
120 books and is the only artist to license his trademark and artwork to
multiple housing developments.[citation needed]
Kinkade is reported to have earned $53 million for
his artistic work in the period 1997 to May 2005.[20]
At the height of his business, there was a national
network of several hundred Thomas Kinkade Signature Galleries, however they
began to falter during the Late-2000s recession.
In June 2010, his Morgan Hill,
California manufacturing operation that reproduces the art
filed for Chapter 11 bankruptcy
protection, listing nearly $6.2 million in creditors' claims.[8] The company, Pacific Metro,
plans to reduce its costs by outsourcing much of its manufacturing.[21]
Criticism of
business practices
Kinkade's company, Media Arts Group Inc., has been
accused of unfair dealings with owners of Thomas Kinkade Signature
Gallery franchises. In 2006,
an arbitration board awarded Karen Hazlewood
and Jeffrey Spinello $860,000 in damages and $1.2 million in fees and expenses
due to Kinkade's company "[failing] to disclose material information"
that would have discouraged them from investing in the gallery.[22][23][24] The award was later increased
to $2.8 million with interest and legal fees.[25] The plaintiffs and other
former gallery owners have also leveled accusations of being pressured to open
additional galleries that were not financially viable, being forced to take on
expensive, unsalable inventory, and being
undercut by discount outlets whose prices they were not allowed to match.[26]
Kinkade denied the accusations and Media Arts Group
successfully defended itself in previous suits by other former gallery owners.
Kinkade himself was not singled out in the finding of fraud by
the arbitration board.[23]
In August 2006, the Los Angeles Times reported that
the FBI was investigating these issues, with
agents from offices across the country conducting interviews.[27]
Former gallery dealers also charged that Kinkade
uses Christianity as a tool to take advantage of people. "They really knew
how to bait the hook," said one ex-dealer who spoke on condition of
anonymity. "They certainly used the Christian hook."[28] One former dealer's lawyer
stated "Most of my clients got involved with Kinkade because it was
presented as a religious opportunity. Being defrauded is awful enough, but doing
it in the name of God is really despicable."[29] On June 2, 2010, Pacific
Metro, the artist's production company, filed for Chapter 11
bankruptcy, one day after defaulting on a $1 million court imposed
payment to the aforementioned Karen Hazlewood and Jeffrey Spinello.[25] A $500,000 payment had
previously been disbursed.
During the years 1997 through 2005, court documents
show at least 350 independently owned Kinkade franchises at its peak. By May
2005, that number had more than halved. Kinkade received $50 million during
this period.[25] An initial cash investment of
$80,000 to $150,000 is listed as a startup cost for franchisees.[30]
Related projects
and partnerships
Kinkade was selected by a number of organizations
to celebrate milestones, including Disneyland's
50th Anniversary, Walt Disney World
Resort's 35th Anniversary, Elvis Presley's purchase of Graceland 50 years ago and the 25th
anniversary of its opening to the public, and Yankee Stadium's farewell
85th season in 2008. Kinkade also paid tribute to Fenway Park.[31]
Kinkade was also the artist of choice to capture
the historic mansion Biltmore House on
canvas; he also introduced the Commemorative Portrait of the 50th Running of
the Daytona 500 in 2008.[31]
In 2001, Media Arts unveiled "The Village at
Hiddenbrooke," a Thomas Kinkade-themed community of homes, built outside
of Vallejo, California in
partnership with the international construction firm Taylor Woodrow. Salon's Janelle Brown visited
the community and found it to be "the exact opposite of the Kinkadeian
ideal. Instead of quaint cottages, there's generic tract housing; instead of
lush landscapes, concrete patios; instead of a cozy village, there's a bland
collection of homes with nothing—not a church, not a cafe, not even a town
square—to draw them together."[32]
Personal conduct
The Los Angeles Times has reported that
some of Kinkade's former colleagues, employees, and even collectors of his work
say that he had a long history of cursing and heckling other artists and
performers. The Times further reported that he openly groped a
woman's breasts at a South Bend, Indiana sales
event, and mentioned his proclivity for ritual territory
marking through urination, once relieving himself on a Winnie the Pooh figure at the Disneyland
Hotel in Anaheim while saying "This one's for you,
Walt."[33][34] In a letter to licensed
gallery owners acknowledging he may have behaved badly during a stressful time
when he overindulged in food and drink, Kinkade said accounts of the
alcohol-related incidents included "exaggerated, and in some cases
outright fabricated personal accusations." The letter did not address any
incident specifically.[34]
In 2006, John Dandois, Media Arts Group executive,
recounted a story that on one occasion ("about six years ago")
Kinkade became drunk at a Siegfried & Roy magic show inLas Vegas and began shouting "Codpiece! Codpiece!" at the performers.
Eventually he was calmed by his mother.[33] Dandois also said of Kinkade,
"Thom would be fine, he would be drinking, and then all of a sudden, you
couldn't tell where the boundary was, and then he became very incoherent, and
he would start cursing and doing a lot of weird stuff like touching himself."[33] In June 2010, Kinkade was
arrested in Carmel, California for driving
while under the influence of alcohol. He was convicted.[35][36][8]
Charities and
affiliations
Kinkade has supported non-profit organizations
focusing on children, humanitarian relief, and the arts, including the Make-a-Wish
Foundation, World Vision, Art
for Children Charities, and The Salvation Army.[citation needed] He
was a member of the Church of the
Nazarene.[citation needed]
In 2002, he partnered with The Salvation Army to
create two charity prints, The Season of Giving and The
Light of Freedom. Proceeds from the sale of the prints were donated to
The Salvation Army for their relief efforts at Ground Zero and
to aid the victims of the September 11 attacks and
their families in New York, Pennsylvania, and Washington D.C. More than $2 million was
donated as a result of this affiliation. In 2003, Kinkade was chosen as a
National Spokesman for the Make-A-Wish
Foundation, and during the 20 Years of Light Tour in 2004, he raised
over $750,000 and granted 12 wishes for children with life-threatening medical
conditions.[31]
In 2005, the Points of Light
Foundation, a nonprofit organization dedicated to engaging more
people more effectively in volunteer service to help solve serious social
problems, named Kinkade as Ambassador of Light. He was the second person in the
Foundation's 15-year history to be chosen as Ambassador, the first being the
organization's founder, former U.S. President George H. W. Bush.[31] During his Ambassador of Light
Tour, Kinkade visited cities nationwide to raise awareness and money for the
Points of Light Foundation and the Volunteer
Center National Network, which serves more than 360 Points of Light
member Volunteer Centers in communities across the country.
Archbishop
Mitty High School of San Jose dedicated their theater complex
in his name due to various donations.[citation needed]
Awards and
recognition
Kinkade received many awards for his works,
including multiple National Association of Limited Edition Dealers (NALED)
awards for Artist of the Year and Graphic Artist of the Year, and his art was
named Lithograph of the Year nine times.[31]
In 2002, Kinkade was inducted into the California
Tourism Hall of Fame as an individual who has influenced the public's
perception of tourism in California through his images of California sights. He
was selected to commemorate the 2002 Salt Lake City
Winter Olympics and the 2002 World Series. He was also honored with
the 2002 World Children's Center Humanitarian Award for his contributions to
improving the welfare of children and their families through his work with
Kolorful Kids and Art for Children.[31]
In 2003, Kinkade was chosen as a national
spokesperson for the Make-A-Wish
Foundation. In 2004, he was selected for a second time by the
Christmas Pageant of Peace to paint the National
Christmas Tree in Washington, D.C. The painting, Symbols
of Freedom, was the official image for the 2004 Pageant of Peace.[31]
In 2004, Kinkade received an award from NALED
recognizing him as the Most Award Winning Artist in the Past 25 Years. Most
recently in 2005, he was named the NALED Graphic Artist of the Year. He was
also recognized for his philanthropic efforts by NALED with the Eugene Freedman Humanitarian Award.[31]
In popular culture
Kinkade said his art is meant to have broad appeal.
In his own words:
There's been million-seller books and
million-seller CDs. But there hasn't been, until now, million-seller art. We
have found a way to bring to millions of people, an art that they can
understand.[37]
In Heath and Potter's book The Rebel Sell: Why the Culture Can't Be Jammed, Kinkade's
work is described as "so awful it must be seen to be believed."[38] In Dana Spiotta's 2011 novel Stone
Arabia, the main character's boyfriend, an art teacher at a private
school in Los Angeles, gives her presents of Thomas Kinkade Painter of Light
pieces. "When I asked him why Thomas Kinkade, he just said, 'Well, he is
America's most successful artist. And a native Californian as well.' Or he
would say, 'His name has a trademark — see?' and he would point to the
subscript that appeared after his name." The pieces are "deeply
hideous" and "kitschy," but for some reason she loves them.[39]
Mat Johnson's 2011
novel Pym includes
a parody of Kinkade named Thomas Karvel, "the Master of Light."[40]
A self-produced movie about Kinkade, Thomas
Kinkade's Christmas Cottage, was released on DVD in late November
2008. The semi-autobiographical story looks at the motivation and inspiration
behind his most popular painting, The Christmas Cottage. Jared Padalecki plays Kinkade and Marcia Gay Harden plays his mother. Peter O'Tooleplays young Kinkade's mentor, who tells him, "Paint the light,
Thomas! Paint the light!."[41][42]
Kinkade's art is parodied on the comedy Web
site Something Awful,
which uses Photoshop to highlight some of the oddities in perspective and light
in Kinkade's work, e.g.,cabin interiors on fire, neon patches of
glowing grass with no light source, etc.[43]
Death
On April 6, 2012, Thomas Kinkade died at his home
in Monte Sereno,
California of "acute intoxication" from alcohol
and Valium.[44] He was 54 years old.[2] He died on Good Friday.[45] He had been at home drinking
all night with Amy Pinto, his girlfriend of 18 months.[46][47] His wife, Nanette, had filed
for divorce two years earlier and was traveling in Australia with their
daughters. His family initially said he appeared to have died of natural
causes.[2] Pinto stated tearfully that the
artist "died in his sleep, very happy, in the house he built, with the
paintings he loved, and the woman he loved."
He is survived by his wife Nanette and their
daughters Merritt, Chandler, Winsor and Everett. He also has a brother, Dr.
Patrick Kinkade, who is an associate professor and chair of the Criminal
Justice department at Texas Christian
University.[48]
Following Kinkade's death, his wife Nanette sought
a restraining order against Kinkade's girlfriend, Amy Pinto, to prevent her
from publicly releasing information and photos with respect to Kinkade, his
marriage, his business and his personal conduct that "would be personally
devastating" to Kinkade's wife.[49]
Wednesday, December 20, 2017
AV2 - ART MANGA
"Anime"... All that and more...

Anime...Anime....Anime...
This is the trend. This is what "they" are always and usually talk about. For some "common" fans of anime, what they do is just the natural thing that a fanatic would do. But to those who are already crazy about? Oh well, they would only see to it that they dont get lost and missed out of what is happening in the world of anime. They would even dress their pets with anime stuffs! Buy loads of anime apparels, and most of all...Toys! Miniature models of thier favorite anime characters. From collectible cards, stickers... up to those colorful and glamourous pillows and bedsheets, t-shirts and the like. The most common stuff with anime are the posters. Many would even sacrifice their meals just to buy the latest and the coolest posters, wallpapers and even ringtones for their cellphones! Just imagine what a craze this anime thing brings to the world. And for your information, age doesnt matter...
Just what is it about that "anime" thing that most or all of the youngsters are all craving and talking about? Why are so many of them gets head-over-heels to Naruto, Rurouni Kenshin, Hanamichi Sakuragi, Gokou and many more. Even some adults cant just get a hold of it. Many mothers even other concerned citizens are so worried of the downturns of this stuff. But let me say that "anime" is all that and more...
So then, let me first discuss with you what "Anime" actually is all about...
To understand the history of anime, one must first know about manga, or Japanese comics. one of the most difficult things for western audiences to understand is that anime and manga are not designed strictly for children in Japan. In the western world, comics have only been around for a comparatively short period of time, and have been almost exclusively marketed toward young people. In Japan, however, artists have been telling stories through the use of drawings for several centuries, so its appeal is much more widespread as the average Japanese person views comics and animation as just another way to tell a story without a age stigma attached to it.
While available throughout the beginning of the 20th century, manga was not a very popular medium until after World War II. Beginning in the 50's, manga, followed by anime, became very popular ways for artists and writers to deal with the devastation of the war in a new way. From this point on, manga and anime became an important part of Japanese society. Manga is generally read by adult commuters on their way to and from work. It is a cheap and relaxing entertainment for most people who read it. Most of the manga is published weekly as large collections, usually in black and white. The high volume of published manga generally means that the artists have to work exceptionally hard to produce enough material each week, sometimes as much as sixteen or more pages each day.
To understand the history of anime, one must first know about manga, or Japanese comics. one of the most difficult things for western audiences to understand is that anime and manga are not designed strictly for children in Japan. In the western world, comics have only been around for a comparatively short period of time, and have been almost exclusively marketed toward young people. In Japan, however, artists have been telling stories through the use of drawings for several centuries, so its appeal is much more widespread as the average Japanese person views comics and animation as just another way to tell a story without a age stigma attached to it.
While available throughout the beginning of the 20th century, manga was not a very popular medium until after World War II. Beginning in the 50's, manga, followed by anime, became very popular ways for artists and writers to deal with the devastation of the war in a new way. From this point on, manga and anime became an important part of Japanese society. Manga is generally read by adult commuters on their way to and from work. It is a cheap and relaxing entertainment for most people who read it. Most of the manga is published weekly as large collections, usually in black and white. The high volume of published manga generally means that the artists have to work exceptionally hard to produce enough material each week, sometimes as much as sixteen or more pages each day.
Manga and anime is read and enjoyed by men, women, boys, and girls across Japan. There are a wide variety of storylines to appeal to a huge variety of readers. Everything from complex social issues, the future, humanity, and fun topics are found in the pages of manga and on the screens with anime.
Now that I've come to introduce you the basics of what anime is, maybe you have come to realize why is it making such a big bang in the world of so many fanatics. It is because animation itself is the living of what truly is inside our hearts. It is giving life to our fantasies and "impossible dreams". The perfection of the physical appearances of the characters and the strong nature that they always portray are those that's motivating us to do exactly what we ought to do. Believe it or not, but anime do inspires. The childish nature in each of us is what's keeping all these stuff kicking alive. wheteher you like it or not, you have to feed that childish appetite of yours be it with anime or just plain cartoons and the like.
I, myself is one of those anime fanatics. Obviously as it may seem, though. Anime has done so many good things in my life for you to know. You may never seem to care about it but once you've come to indulge yourself with the same thing that keeps the blood in our veins run so drastically that you end up feeling high. Of course, just like any habits or so, ANime has its own downfalls. After-effects that could somehow ruin what was once such a natural and common way of living. I'll be discussing all that and more...
Do you Know that...
Some fancy trivia...

1.The Japanese artist Hokusai (1760-1849) was the first person to use the term "manga" in 1815, when he referred to some of his comic sketches as "careless" (man) "drawings" (ga).
2.The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in the West.
3.During the 1970s, anime developed further, separating itself from its Western roots, and developing unique genres such as mecha. Notable shows in this period include Lupin III and Mazinger Z. During this period several filmmakers became famous, especially Hayao Miyazaki and Mamoru Oshii.
4.Mecha, also known as meka or mechs, are walking vehicles controlled by a pilot. Mecha are generally, though not necessarily, bipedal. In most science fiction stories in which they appear, mecha are war machines: essentially armored fighting vehicles with legs instead of treads or wheels. Some stories, such as the Japanese manga Patlabor, also encompass mecha used for civilian purposes such as heavy construction work, police functions, or firefighting.
5.The first occurrence of mecha in fiction is thought to be the novel The War of the Worlds by H. G. Wells where the Martians use tripod walkers very similar to mecha.
6.The term "mecha" is derived from the Japanese abbreviation meka (%u30E1%u30AB?) for the English word "mechanical". In Japanese, "mecha" encompasses all mechanical objects, including cars, guns, computers, and other devices.
7.In Japan, "robot anime" (known as "mecha anime" outside Japan) is a genre that features the vehicles and their pilots as the central plot points. Here, the average robot mecha are usually twenty feet tall at the smallest, outfitted with a wide variety of weapons, and quite frequently have tie-ins with toy manufacturers. The Gundam franchise is a prominent example: Gundam toys and model kits (produced by the Japanese toymaker Bandai) are ubiquitous in Japan.
8.Perhaps the most well-known example of mecha are the Walkers such as the AT-AT and AT-ST from the Star Wars series of films. The Hollywood movie Aliens featured a cargoloader as a civilian mecha (although this instance blurs the line between being a mecha or an exoskeleton). More famously known for impacting American citizens is the film Robot Jox, featuring two giant mech fight scenes.
9.Rarely, mecha has been used in a fantasy convention, most notably in the anime series Aura Battler Dunbine, The Vision of Escaflowne and Maze. In those cases, the mecha designs are usually based on some alternative or 'lost' science-fiction technology from ancient times.
10.The oldest Japanese animation we know of comes from about 1907. Only three seconds long it shows a young boy in a sailor suit writing out the words in Japanese for "Moving Pictures," turns to the audience, takes off his hat and salutes.
11.Unlike America, where live-action shows and movies have generous budgets, the live-action industry in Japan is a small market and suffered from budgeting and location restrictions.
12.In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production. The start of the Gundam franchise and the beginnings of Rumiko Takahashi's career began in this decade. Akira set records in 1988 for the production costs of an anime.
13.The series Sailor Moon and Dragon Ball Z became worldwide successes. Other series like Neon Genesis Evangelion and Cowboy Bebop were popular in Japan and attracted attention from the West.
14. Spirited Away shared the first prize at the 2002 Berlin Film Festival and won the Academy Award for Best Animated Feature in 2003, and Innocence: Ghost in the Shell was featured at the 2004 Cannes Film Festival.
15.Disney had a strong influence on the animators at that time, but due to commercial issues Japanese animations at that time didn't have a high production standard, but were rather pale imitations of Disney productions (repeating scenes and gags, after recording of sound and so on). Disney also used sound film very early but that was too expensive for most Japanese studios until the mid 30s. Nevertheless, Disney's influence can be seen throughout Japanese animation by the 1950's.
16.In 1948, Toei Animation was founded and produced the first color anime feature film in 1958, Hakujaden (The Tale of the White Serpent, 1958).
This film was more Disney in tone than modern anime with musical numbers and animal sidekicks. However, it is widely considered to be the first "anime" ever, in the modern sense. It was released in the US in 1961 as Panda and the Magic Serpent. Throughout the 1960s and into the early 1970s Toei continued to release these Disney-like films and eventually also produced two of the most well known anime series, Dragon Ball in 1986 and Sailor Moon in 1992.
17.One of the most influential anime of all time, Nausicaä of the Valley of the Wind (1984), was made during this time period (1980's). The film gave extra prestige to anime allowing for many experimental and ambitious projects to be funded shortly after its release.
18.Some Western animation companies have produced works of some anime resemblance. The Animatrix and the Nickelodeon series Avatar: The Last Airbender were influenced by anime. Other animated series such as Teen Titans have at least a few anime characteristics.
While these animated series are not considered to be anime, they do show some characteristics found in typical anime. In addition, Cartoon Network co-produced anime, such as IGPX with Japanese directors. Even France and Canada have also started to produce anime-inspired shows such as Martin Mystery (Canada/France) Totally Spies! (France) and Team Galaxy (France).
19.Some series from Western Animation have turned to Japanese animation companies for productions. The second season of The Boondocks is produced by Studio Madhouse.
20.Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed. The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day. In doing so, anime has made significant impacts upon Western culture.
Anime's First and Most Notable Creations

The story was liberally adapted from the popular Chinese folk tale Journey to the West. Princess Iron
Fan is a main character.
Specifically, the film focused on the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village.
*First animation of notable length in Japan - Momotaro's Divine Sea Warriors
Just like its prequel, the movie features the "Peach Boy" character of Japanese folklore. The film is about the surprise maneuver on Sulawesi island, depicting parachute troops' actions. The whole movie also depicts how Japan "liberates Asia", as proclaimed by the Government at the time.
*First animation in color in Asia/China - Why is the Crow Black-Coated
The story is about an arrogant bird that enjoys life. He sang and dance in the forest in China, showing off his beautiful tail to everyone. Autumn would come and the other animals in the forest are busy preparing food for the winter. The bird continues to live life leisurely.
The winter would come instantly with a heavy snow storm. The bird is now homeless in the cold without preparation. To warm up, he found a random wild fire in the forest. The bird accidentally burned his tail and also lost his singing voice. From there on, the bird is no longer beautiful and is known as the black crow.
*First animation of notable length in color in Japan - The Tale of the White Serpent
The film is essentially an adaptation of the Chinese Song dynasty folktale "Madame White Snake".
Xu-Xian, a young boy, once owned a pet snake in West Lake until his parents forced him to give her up. Years pass and during a violent storm, the snake magically transforms into the beautiful princess Bai-Niang. Bai-Niang finds Xu-Xian, but the lovers are separated by a local monk, Fa-Hai, who believes that Bai-Niang is an evil spirit. Xu-Xian's two Panda pets, Panda and Mimi, try to find Xu-Xian. In the end, Bia-Niang gives up her magical powers and remains in human form to prove that her love for Xu-Xian is genuine.
*First anime broadcasted - Three Tales
The show was an experimental anthology broadcast on the NHK channel. It was divided into 3 parts featuring individual short fairy tales. The first part of the show titled "The Third Plate" is technically the first anime segment ever televised. In total, the show was 30 minutes long.
*First anime series - Otogi Manga Calendar
The show was divided into 2 seasons. In 1961, it was aired in the first season as "Instant History" with 312 episodes, each being just 3 minutes long. The second season "Otogi Manga Calendar" aired 312 episodes, with each being 5 minutes long. While it was the first series ever broadcasted on TV, it should not be mistaken as the first anime ever broadcasted. Three Tales was the first Japanese anime shown on TV, while Tetsuwan Atom was the first 25 minutes anime series.
The show was about historical events through a character who was not aware of "what happened on this day in history". Sometimes photographs and film footages were mixed in with the animations to explain what historical event had taken place. The research archives came from the Mainichi Shinbun newspaper where the director's Fuku-chan manga was printing at the time.
*First OVA (Original Video Animation) - Dallos
In a near future, mankind has moved from a drained Earth to the Moon. Rebel acts of terrorism lead to conflicts with the Earth Federal Government. A mysterious entity called Dallos appears to restore hope.
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